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The Cultural Industries By David Hesmondhalgh

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Sales Rank: #391338 in Books
Brand: Brand: SAGE Publications Ltd
Published on: 2007-04-25
Original language: English
Number of items: 1
Dimensions: .78" h x 6.79" w x 9.40" l, 1.34 pounds
Binding: Paperback
360 pages

Features

Used Book in Good Condition

Review
The first edition of The Cultural Industries moved us irrevocably past the tired debates between political economy and cultural studies approaches. This second edition takes on new and vital targets, for example claims that the Internet is replacing television in everyday media consumption.... In the process, Hesmondhalgh provides us with an essential toolkit for making critical sense of the digital media age, and our places within it
Nick Couldry
Goldsmiths College, University Of London

This book sets a valuable standard for communication studies. Hesmondhalgh integrates cultural research with political economy, organizational sociology with public communication policy studies, global with comparative analysis, and intellectual property law with technology changes. I've successfully taught graduate and undergraduate courses in the USA and France using the first edition, and this one is better still
John D.H. Downing
Global Media Research Centre, Southern Illinois University

About the Author

David Hesmondhalgh is Professor of Media, Music and Culture in the School of Media and Communication at the University of Leeds. He is the author (with Kate Oakley, David Lee and Melissa Nisbett) of Culture, Economy and Politics: the Case of New Labour (Palgrave, 2015), Why Music Matters (Wiley-Blackwell, 2013), Creative Labour: Media Work in Three Cultural Industries (Routledge, 2011, co-written with Sarah Baker) and The Cultural Industries, now in its third edition (SAGE, 2013). He is also editor or co-editor of seven books and journal special issues, including The Media and Social Theory (with Jason Toynbee, Routledge, 2008) and (with Anamik Saha) a special issue of the journal Popular Communication on “Race, Ethnicity and Cultural Production” (2013).

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